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Soundings: A Contemporary Score investigates the ways in which some of the most innovative contemporary artists are working with sound today. These artists approach sound from a variety of disciplines--visual arts, architecture, performance, computer programming and music--yet they share an interest in working with, rather than against or independent of, a given situation or environment.

 

Soundings: A Contemporary Score investigates the ways in which some of the most innovative contemporary artists are working with sound today. These artists approach sound from a variety of disciplines--visual arts, architecture, performance, computer programming and music--yet they share an interest in working with, rather than against or independent of, a given situation or environment. Their responses include architectural interventions, visualizations of inaudible sound, explorations of sound ricocheting within a gallery, and a range of field recordings--of bats, abandoned buildings in Chernobyl, bells in New York City and a factory in Taiwan. Published in conjunction with MoMA's first major exhibition of sound art, Soundingspresents an overview essay by Barbara London, Associate Curator in MoMA's Department of Media and Performance Art; a recent history of sonic art by writer Anne Hilde Neset; and a section on each of the featured artists, featuring a brief 


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